Exploring the "Blue Monk" Chromatic Moving Line Cliche

This versatile chromatic line pattern is ubiquitous in rock and jazz. Here we explore a few ways of incorporating it into your playing.  These lines can be harmonized with each other of course and go forward or back.. and create a similar passing harmony with some tension and release built in. You can apply pedal tones from the root or 5th either with the chord or leaping to the pedal tones alternating with the line or even the harmonized line. It utilizes passing diminished and or auxiliary diminished function i.e. the Ebdim (or Cdim) in this line: C7 Dmi7 (or Dmi7[b5]) to Ebdim to C7/E... The appealing thing is the fact that all the diminished 7ths that arise can be converted into 4 Dominant 7th (a minor 3rd apart)..and you could take it from there with a momentary transposition and back again etc. It's crazy good :) !!




The basic pattern is very simple -- in the key of C:
C D D# E  or  E F F#G or G G# A Bb etc.
but has endless applications. 

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